I like Christmas, I really do.

I’m always a little surprised to hear someone say that they don’t. To me, the dislike inevitably always boils down to poor management, doesn’t matter the back story.

What do you see when you look at the following picture?

Do you see a brightly decorated foyer with a festively blue wreath above the door, or is that a translucently hot sun about to go supernova and tear you and your family limb from limb? I’m going to suggest that both are possible depending on how you look at it. This can either be the prelude to an idyllic Christmas, or it can the foreshadowing of utter bloody terror. What’s the difference? I believe the answer is expectations.

In the first scenario, the only expectation is that you’ll be home, happy with your family, and hopefully you’ll get to enjoy some relaxing time off and a couple of good meals. Pretty simple, easy to fulfill. In the next scenario, well, I don’t have enough space here for the lists, recipes, schedules, budgets, planning, planning, and more planning that needs to takes place. And that show really needs to hit the road ASAP if it’s going to get some traction by December.

The first scenario has fairly low expectations. The second’s are in the stratosphere. So the trick is to simply bring those expectations down. Manage them.

Part of that is letting everyone know you want to keep it as simple as possible this year:

Take a page from the people in the business district, they didn’t dick around. “Throw a string of shit on that tree and let’s get the fuck outta here, we’ve got money to make”, is most probably how it went down. The essence of pragmatism.

But the idea is to take a page and not the whole book, because otherwise you start getting stuff like this:

Okay, it’s certainly better than barf on the windows, but it seems a little cold. Guess I’m more of a traditional Christmas kinda guy; gimme a fireplace, a mug full of booze, and a comely lass on the knee. Trees are also nice. I probably wouldn’t choose to put giant, blood-red impalement pyramids in the entrance to my place. I think it gives off the wrong message.

Bay Street sure likes it’s Christmas angular and abstract. But that’s okay, I don’t expect any more than that.

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This is starting to look bad, isn’t it? Second Friday post that didn’t make it out until the weekend. But this time, dear reader, I want to assure you it was an absolute necessity. You see, an event took place this weekend that marks TCL’s first technical anniversary and I didn’t want to waste a post on something more mundane.

I say technical because if you look at the archives, TCL only goes back to January. But it’s really been online since November of last year.

Luckily the WayBack Machine has, as yet, no record of it.

At that time TCL had a mostly-black theme with content that induced hemorrhaging from the eyeballs and projectile vomiting. Pretty awful stuff. Back then I didn’t have the experience or the sphincteric relaxation to do anything interesting, really. Had anyone suggested I run a shocking exposé on what really happens at the annual Santa Claus Parade, I would’ve balked!

But in mid-November I attended Illuminite, the annual Christmas lighting of Yonge-Dundas Square. It was a cold and rainy November night, but the show went on anyway. Try as I might, I wasn’t able to muscle my way up to the front of the crowd, and it was in that soggy moment of inspiration that I remembered it was Toronto City Life. Most of these people were alive, so they qualified. I was getting all bent out of shape for nothing!

That epiphany, and the attitudinal adjustment that came with it, carried me through all the way around to this year’s event. Good thing too because there were a lot more people this time around:

Most of the show, consisting of fire, sparks, trampolines, and dancing, took place at the far end of the square. There was a lot of loud music that, more often than not, descended into a raucous noise that in no way said season’s greetings to me. Eventually, the same spooky music I remember from last year came on as the fire dancers wound their way across the square toward the stage I’d plunked myself behind:

The dancers paraded around on stage in wintry white and silver, twirling fiery objects and having pyrotechnics go off behind them as if to say, “here’s the last blast of warmth you’re getting for the next six months”:

The audience were close enough that one slip and the girl in the red hood got a face full of fire. Now if that’s not a reason to go see something live, I don’t know what is. The fireworks were pretty scary too:

Behind the dancers was the reason for the whole display, the tree.

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