angietorres has added a photo to the pool:

PearldotKom has added a photo to the pool:

The Trash Art @ Kensington

Ugh … Humie’s kinda right about this one, his fifth pick for Toronto’s Worst Buildings: the Four Seasons Centre for the Performing Arts. The fairly new structure (built in 2006),  is an unsightly grey box sitting across the street from the relatively ornate and welcoming Osgoode Hall; even the documentary about the building of the Four Seasons Centre (Raising Valhalla, 2007), has more appeal than the structure itself.

While I haven’t actually been inside the thing — I’m told that it’s a bit of an engineering / acoustic marvel with the performance hall being isolated from the outer shell with giant damper supports; a building on stilts within a building — the spectacle inside doesn’t nearly match the drab outside. One day soon I’m planning to take advantage of the $12 standing-room-only admission, but I can assure you it won’t be because I’m drawn in by the architecture.

Did I mention “ugh” already?

I know I’ve advocated imbibing a trifle before heading out for the the evening, but I’m gonna start prefacing that with, “except not to the point of getting shit-faced”.

Weaving between teenagers hardly capable of holding their drink let alone appreciating art of any kind, and the puddles of vomit they leave about the place, to me, kinda cheapens the experience. Not unlike using the English translation of Nuit Blanche.

So that’s the one thing about Nuit that this year stood out loud and sore for me.

Beyond that, I was sure the crowds would dissipate post midnight. Last year I headed out at around one o’clock, this year I was there sometime after two in the morning, but with considerably more people. I suppose that’s inevitable; the event now draws in excess of a million people and I’m sure there’ll be more next year. Clearly single-digit temperatures and the threat of rain means nothing to the swarthy outdoors art crowd.

Okay, criticisms dispensed with. Let’s get to the meat and potatoes, shall we?

So, once again I found myself unable to make it to the elusive Zone C. Since I live on the eastern edge of Zone A I necessarily have to traverse it to get to the other side. It’s about an hour of distractions, crowds, and everything and anything designed to ensure that you never make it through.

For starters, there’s always something going on at Nathan Phillips Square. This year the area in front of City Hall hosted a sprawling performance by Daniel Lanois entitled “Later That Night At The Drive-In”.

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Last year’s Luminato experience, at least for me, consisted of a giant red ball, a pricey half pint of beer, and a few moments with Disco Inferno. I didn’t quite know what to make of the festival then and, to be honest, I still don’t really have a handle on what it’s supposed to be.

On the one hand there are events such as live theatre, literature, and artsy staples such as painting and photography, but on the other hand many of the free family-friendly events would be difficult to classify as anything other than pure entertainment.

For a hardcore art experience, Nuit Blanche is a safer bet, and free outdoor entertainment can easily be found, well, just about anywhere during the summer. If you like meaty literature, it’s not tough to find, and getting your live action fix is easily doable too.

But for a festival that seems to be trying to be all things to all people, they do sometimes succeed in breaching the niche in a very satisfying way.

Last night, for example, Luminato had The Moist Towelettes throwing down on the main Yonge-Dundas stage as part of the J-Pop Divas thing.

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You know, I really thought that last post about letting your kids wander around alone in a city would’ve been more contentious. Apparently not. Gotta say, the TCL readership is waaaaaay more liberal than I ever could’ve imagined. Cool!

Or you’re still reading. Sorry, it was kinda long. I’ll do my best to keep this one lighter.

Nothing much to say anyway. The Music Garden is supposed to communicate through other senses.

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